Spaceship Earth

Spaceship Earth is an EP released in February 2018, featuring a set of electronic miniatures.

In January 2018, I participated in a project called “Song a Day for a Month,” created by composer Alex Wand. The concept is simple: write something every day for an entire month in order to practice writing consistently.

Spaceship Earth is a collection of some of my favorites from the month. Given that each song or piece was written in a day, they’re all pretty short (hence: miniatures).

Some of them are songs, some are soundscapes, some are kinda weird.

Check it out on Bandcamp here.



1. All One or None! —– Text by Emmanuel Bronner. It’s one of the quotes all over the Dr. Bronner’s product line (organic soaps, shampoos, balms, etc.)

2. Dumb —– Inspired by the voices in my head.

3. 10:50 Monday Night —– When you binge-watch your latest favorite show as an act of procrastination, and self-hatred ensues.

4. Late Night Drives —– Dedicated to a dear friend of mine, who passed way too soon.

5. Ah —– An experiment with using my voice as the only instrument.

6. Pretend I Don’t —- Being endlessly afraid of global warming and climate change.

7. Walking —– For when you just can’t feel the beat.

8. [kill.this] —-  #VideoGames?

9. Panic —- Dealing with panic attacks, learning to breathe.

10. Black  —– Thinking about the universe and feeling beautiful, small, and alone.

11. and reverie —- Text by Emily Dickinson, “To Make a Prairie.” Thinking about open pastures and little bees and the slow passage of time.



Pledge Drive

PLEDGE DRIVE is a flash opera, commissioned by Experiments in Opera. It was premiered in May of 2017 at Symphony Space, Manhattan.

See my interviews about the project here and here.


Libretto based on text by Patricia Marx.

Elyse Kakacek, soprano
Kate Maroney, mezzo-soprano
Eric McKeever, baritone

Mila Henry, piano
Meaghan Burke, cello
Domenica Fossati, flute
Shawn Lovato, bass
Joe Bergen, percussion
David Bloom, musical director

Rob Reese, director and lighting designer
Casey Alexander Smith, scenic designer
Fay Eva, costume designer
Esti Bernstein, production stage manager
Perri Di Christina, production assistant


Du bist die Ruh (2016)

Improvisatory art song for laptop quartet with Max MSP. Duration: 3 – 10 minutes. 

In the winter of 2016, the Long Beach Laptop Collective (from CSU Long Beach) went on an international tour throughout Germany to perform Voyage, a reconceptualization of German lied by Schubert, Schumann, Strauss, and Brahms. The project initiated in 2013, when the group teamed up with a Korean theatre troupe led by Byunkoo Ahn to premiere the concept at the “Spoleto Open” Festival dei due Mondi in Spoleto, Italy. Nearly four years later, the concept was reimagined once again in Hamburg and Berlin with the same troupe, this time with several new pieces added to the set.

Du bist die Ruh is a reimagining of the original song by Schubert. It begins with the soft hum of crickets. Next enters my own version of the art song using excerpts of the original text, which is filtered to sound as though it could be coming from off-stage. This leads into a duet of pitch-shifted singing bowls and a resonant, melodic bass, with a processed version of the same art song overlaid.

The video below was taken from a live performance on January 24, 2017 at Monk Space, Los Angeles.

Song of Earth (2015)

Ambient electronic work, created using Logic Pro X. 10 minutes, 36 seconds. 

Song of Earth combines a synthesizer with recorded audio of our solar system by NASA probes. It begins with simple pulsations that gradually grow in density before once again diminishing to a single pitch. Overlaid are the recorded sounds from space, other synthesized sounds, and an aleatoric piano line with an overarching contour of high-low-high.

Newsfeed (2016)

Mezzo-soprano, baritone, clarinet, electric guitar, electric bass, piano, drum set, percussion (vibraphone, xylophone, prayer bowl), and electronics. Approx. 14 minutes. 

Newsfeed centers on two ideas: the integration of popular with classical music, and an exploration of media absorption in multiple forms.

The piece uses borrowed instrumentation from the popular music world, including electric guitar, electric bass, and drum set. It also utilizes a range of styles, many of which are associated with popular music, including hip-hop, jazz, rock, reggae, and musical theater. Pre-recorded electronics accompany the live instruments, beginning with a sound collage of advertisements, popular music excerpts, and news media. The text is acquired from various media sources including political speeches, blogs, social media, and advertisements.

The fast-paced, fluctuating structure of the music is reflective of the way my generation processes media; we are continually taking in a vast array of content, often from multiple sources at a time, and consequently find ourselves in the questioning pit of “what, if anything, does it all mean?” The interruptive nature by which we digest media is further accented by periodic social media updates in the music. While not intended to criticize technology, this piece simply asks the question: is this means of absorbing and communicating information effective, and how has it shaped our world?

Newsfeed was premiered on April 28, 2016 at Daniel Recital Hall, CSU Long Beach. Performers: Maria Schafer (mezzo), Marcus Carline (baritone), Tanner Olivas (clarinet), Alexander Miller (electric guitar), Jonathan Eastly (electric bass), Paul Blackwell (piano), Tyler Kreutel (drum set), and Kevin Capacia (percussion). Conducted by Denny Bui.


Piano, four hands. Approx. 2 minutes, 30 seconds.

Passages is an exploration of memory and its journey through the mind. It has a dampened and dream-like quality, along with driving momentum, as the central component of its aesthetic. The four hands version of this piece, which was composed in 2016, is a revision of an earlier work for a single pianist.

Passages was premiered by HOCKET on March 23, 2016 at Daniel Recital Hall, CSU Long Beach.